This is not uncommon for authors, but it was a particularly intense experience for Steinbeck most interpretations of Tortilla Flat, for instance, describe its characters as “not quite human beings” (Wilson “New Republic”), which enraged the author, and even the response to arguably his greatest novel, The Grapes of Wrath, had the strange effect of creating a backlash against him for representing the plight of farm workers.

He often felt that people had missed the point of his writing. Steinbeck was consistently irritated with the reception of his books. He felt that many of his readers had “taken these people up with the vulgarity of duchesses who are amused for and sorry for a peasantry.” When he talks about “these people,” he is talking about something that occupied him through most of his writing career-common laborers in the poorer parts of America. It will never happen again.” (Steinbeck “Foreword,” 1937) promised American novelist John Steinbeck, talking about the response to many of his novels, and Tortilla Flat in particular. If I have done them harm by telling a few of their stories I am sorry. good people of laughter and kindness, of honest lusts and direct eyes.

They are people whom I know and like, people who merge successfully with their habitat.

“It did not occur to me that were curious or quaint, dispossessed or underdoggish.

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